Seeing Up Close and Far Away


Our near vision blurs as we age. From what I’ve read it’s because our lenses thicken

and become less flexible. The less elastic the lens, the harder for the eye to focus up close which either leads to fuzzy vision or …. bifocals.

I’ve tried bifocals, twice – being able to see up close and far away so clearly does lure – but I just can’t bear them. The vision lines are too confining. I’d rather see less distinctly but have the ability to move between close up and far away more swiftly and with more fluidly than have to keep my field of vision within a tiny, prescripted space.

I think that’s what draws me toward photography which has taught me about three-layered seeing.

1) There’s what my naked eye sees.

2) There’s what my camera captures.

3) And finally, the resulting image that may contain elements I didn’t see at first.

Since late last year, I’ve been revising a series of older personal essays. I’ve been reframing and restructuring them and it’s very powerful work. It’s been grounding to be taking pictures (generating new work) during this process of taking what’s already written (working with what’s been captured) and then, in the revising, discovering a new layer or making something wholly new. What I’m learning is that the pieces that feel complete are doing what the eye was made to do: they allow us to see close up and far away at the same time.

I urge you to try out this three-tiered approach to your creative process. Create something new. Revise something old. Blend them together to make something entirely different or to highlight something you didn’t see before.

Dig out those old essays or stories that call to you, dust them off and enter them again to see what they have to tell you. Turn one into a poem. Or find that poem and write it as an essay. Take your short story to write it as a personal essay. Find a photograph you took and write what comes to you as you look at it.

Mix, match and make your mark!

Photograph by Ellen Blum Barish, 2014.