Next week, summer transmutes into fall and here in the Midwest we are already seeing the signs when we look up into the trees and dab our runny noses with tissue. (Autumn allergies, anyone?)

I find myself in a similar state as I return to my memoir manuscript for revision. The roots and trunk of the tree – and most of its woody extensions – are in place. So are the leafy bits. But adjustments will be made; some pruning and trimming, repositioning and reshaping and fertilizing for growth.

Writing a complete draft of a memoir in one year was a promise I made to myself last August. I wanted to get that story that I’ve been trying to tell for so many years onto the page. It was a promise that, just a few weeks ago, was fulfilled.

When you give so much to a tree, it tends to give back.

I had deep doubts that I could actually do it. After all, just the year before I had committed myself publicly to full year without writing. But eight months in to not writing, a title and a structure for the story that has taking up lodging in my head, body and soul landed in my lap and I couldn’t help but begin to write. You can read about that here.

There have been a multitude of other broken promises: getting to that weekly yoga class, meditating, eating less bread and drinking less wine. Though these fell under the motivating category of mental, physical and spiritual health, there was something more compelling about capturing this story in words. The pull to write felt like an emergency; like my life depended on it.

Apparently this is a thing.

In her book, “The Power of Meaning: Finding Fulfillment in a World Obsessed with Happiness” Emily Esfahani Smith writes that there are four pillars of meaning in a person’s life: belonging, purpose, transcendence and, I love this part, storytelling.

“Our storytelling impulse emerges from a deep-seated need all humans share: the need to make sense of the world. We have a primal desire to impose order on disorder – to find the signal in the noise. We see faces in the clouds, hear footsteps in the rustling of leaves, and detect conspiracies in unrelated events. We are constantly taking pieces of information and adding a layer of meaning to them; we couldn’t function otherwise,” Smith writes.

A traumatizing event from my childhood was stalking me, insisting itself on me because, as Smith suggests, “Our stories tend to focus on the most extraordinary events of our lives, good and bad, because those are the experiences that we need to make sense of, those are the experiences that shape us.”

Which can be very illuminating, engaging stuff.

The writing has been incredibly challenging, but making room and time for it has not. I kept fairly close to my deadlines – it helped tremendously to work with an editor I trust on this project to whom I promised pages each month – but I certainly didn’t write every day. There were even some weeks that I couldn’t write, life getting in the way and all. But when I did sit down to write, I was focused and productive.

So I have a manuscript. It needs revision and expansion and this will take a while – probably months. But now I know – in my bones – that there are practical and creative ways to get a big story from one’s life onto the page in twelve months.

Since I’m making good on my promises now, I’ll boldly offer another: To keep you updated on my progress – the victories as well as the disappointments – to reveal the transformational colors of these pages from manuscript to book in the hope that one healthy tree might stimulate a forest.

Photo by Ellen Blum Barish. Copyright 2017.